Friday, January 15, 2010

Protect Voice with Pampering when Hoarseness Occurs

~IF YOU LOSE YOUR VOICE ~ STOP SPEAKING & SINGING~
FROM: VOCAL ADVICE BLOG:


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Hoarseness is one of the first, most easily discerned audible symptoms presented to a voice teacher that indicates the presence of a “vocal fault” in an otherwise physically healthy singer. The most common cause for vocal hoarseness is “hyper-functional phonation;” demanding too much from the voice, producing a sound that can be described by any one, or combination of the following adjectives: tight, tense, hard, edgy, strident, rasping, grating, rough, constricted or even strangulated. Hoarseness is a danger signal to you, the singer. If huskiness or soreness is a common result of your singing, then you should

1) stop singing, and if it persists,
2) see a laryngologist.

Observations and recommendations:

1. Screaming hard even once can do temporary damage to the voice. The voice has to recover in silence and with more than usual sleep. Give it more time than you think it needs.
2. Vomiting and the burning from stomach acids also require extended time to heal. Give your voice time. You should pay attention to resulting soreness as there are relatively few pain nerve endings in the throat! Give healing more time than you think it needs, and limit your voice use. Begin establishing the habit (if you don’t already have it) of gargling whenever you brush your teeth and after meals - rinsing out your throat with water.
3. Regularly speaking too high, or too low will often result in hoarseness. Please read my entry on “speaking” to help you find where you should speak without unnecessary tension.
4. Long-term misuse of the voice can permanently damage the voice. So, your concern is legitimate. A voice therapist or qualified voice teacher may be what you need to correct the problem.
5. The feeling of “a giant lump” in your throat is a definite indication of misuse. Stop singing. Give your voice more time than you think it needs to heal and recover.
6. Allergies do tend to exacerbate (aggravate) upper-respiratory and throat edema (swelling). So, allergies compounded with possible misuse of the voice would tend to make things feel worse, faster.
7. While my blog will give you sound advice and may help you to start thinking correctly about singing, you will more likely make the progress you should make toward using your voice healthfully by studying with a reliable voice teacher. If you live in the Northwest Georgia area (NE Alabama or Chattanooga, TN), you can contact me, otherwise, you should do some sleuthing, asking around and find a trustworthy teacher and explain to that person what you’ve shared with me.

IN THE MEANTIME, you can be …

a. Getting more than 8 hours of sleep a night, REGULARLY.
b. Drinking lots of clear (non-caffeinated) liquids.
c. Taking supplements (vitamins, minerals and herbs) to help boost your own immune system … and I would actually recommend the use of a drinkable form of Aloe Vera to have every day until your throat has healed. This can be purchased at most health-food stores.
d. Eating carefully. If you are in the habit of having ice cream or any kind of dairy products (pizza) in the evening before going to bed, change the menu to fresh fruit (e.g., grapefruit), and don’t go to bed on a full stomach, wait a couple of hours after you’ve eaten before lying down to sleep.
e. Sighing lightly on a downward vocal slide just after inhaling as if you’re about to “yawn,” (not ‘singing’).

Thursday, January 7, 2010


QUICK AND EASY VOCAL WARM-UPS

* Find a quiet spot and briefly close your eyes, take a few cleansing breaths and relax. When you feel completely relaxed, begin slowly...

*
stretch and yawn; hold the ending "ah" sound; relax your throat and jaws
*
* take a deep breath (from the diaphragm) and on the exhale say and extended hhhhhmmmmm repeat X 10 allowing the lungs to release all of the air. Collapse your abdomen as you exhale.

* * Do a hum-slide up and down your vocal range with "hhhhhmmmmmmmm."

* * feel different parts of mouth and nasal area or "Mask/Mid-Range" vibrate with the different sounds:

MMMM MMMMMMMMMM... ZZZZZZZZZZZZZZZZZZZZZZZ...

EEEEEEEEEEEEEEEEEE... NNNNNNNNNNNNNNNNN...

VVVVVVVVVVVVVVVVVV... Mum Mum Mum Mum Mum Mum Mum Mum Mum


*
open your mouth , eyes, and face as wide as you can on the last syllable of:
Mumula Mumula Mumula Mumula Mumula Mumula Mumula Mumula


SILLY PHRASES

* each phrase features different difficult consonant combinations.

Start slow, over-articulating and then increase speed
Red letter, yellow letter~
Good blood, bad blood~
Eleven benevolent elephants~
Teaching ghosts to groove~
The big, black-backed bumblebee~
A critical cricket critic~
Selfish shellfish~
Really rural~
Unique New York~
The tip of the tongue, the lips, the teeth~
To titillate your taste buds, we've got these tasty tidbits~

COGNATES

* Feel a pulse in your diaphragm with the following sounds

unvoiced: PUH PUH PUH PUH PUH PUH PUH PUH
VOICED: BUH BUH BUH BUH BUH BUH BUH BUH
unvoiced: TUH TUH TUH TUH TUH TUH TUH TUH
VOICED: DUH DUH DUH DUH DUH DUH DUH DUH
unvoiced: KUH KUH KUH KUH KUH KUH KUH KUH
VOICED: GUH GUH GUH GUH GUH GUH GUH GUH


TONGUE TWISTER!


* This long tongue twister contains many buzz sounds and difficult
consonant combinations. It is possible to say all in one breath if you
use diaphragmatic breathing and carefully control the volume of air
expelled. Articulate every sound!

What a to-do to die today at a minute or two to two,
a thing distinctly hard to say but harder still to do.
for they'll beat a tattoo at a quarter to two:
a rat-ta tat-tat ta tat-tat ta to-to.
and the dragon will come when he hears the drum
at a minute or two to two today, at a minute or two to two

Wednesday, January 6, 2010

Therapeutic VoiceWork – Healing Mind/Body & Spirit




Therapeutic VoiceWork encompasses many notions about vocalizing, singing and therapeutic methods for treatment and improving the voice.
There are many areas of study with respect to voice therapy and several physiological and neurological voice disorders. However, there are psychological components effecting voice production and they are the focus of this article. It is helpful to have a basic understanding of how sound is produced by the vocal chords and other parts of the voice and helpful to have a little knowledge about various physical disorders and treatments.


All voice rehabilitation should include the elimination of vocally abusive behaviors such as throat clearing, habitual yelling or screaming, habitual breath holding, or glottal attack. Inhaled irritants such as tobacco and toxic chemicals should be avoided. Gastroesophageal reflux, or chronic heartburn should be controlled. It is important to not allow yourself to become dehydrated and you should follow proper levels of fluid intake. Medications with drying potential should be minimized to optimize laryngeal hydration.

About Physiological Disorders and Voice therapy

Five Main Categories of Voice Therapy:

  • Symptomatic voice therapy addresses the identification and elimination of vocally abusive behaviors through facilitating approaches. These techniques facilitate a target or a more optimal vocal response by the patient. Examples include auditory feedback, head positioning, laryngeal massage, and relaxation. Disorders of misuse or abuse benefit from this treatment philosophy.
  • Psychogenic voice therapy addresses the underlying emotional and psychosocial issues that are causing the dysphonia. People suffering from conversion dysphonia would benefit from this approach.
  • Etiological voice therapy focuses on recognition and elimination of the cause(s) of the voice disorder(s). Muscle tension dysphonia may benefit from this approach.
  • Physiologic voice therapy, a type of biofeedback, involves the use of acoustic and aerodynamic analysis to direct the patient's vocal function back to objectively normative physiologic voice function. Physiologic voice therapy may be useful on a patient with falsetto.

Two alternate classifications of voice therapy techniques - Direct and Indirect;

Direct techniques focus on voice production and include techniques such as the yawn-sigh method, optimal pitch establishment, and laryngeal manipulation. Indirect techniques focus on reducing the etiologic factor that cause the voice problem and include auditory training and patient education. Through a meta analysis, comprehensive voice therapy was effective in improving vocal performance in adults with Functional Dysphonia.

VOICE DESIGANTIONS


Here is some basic information about the types of vocal ranges.

There are many other designations, including soubrette, heldentenor,
bass-baritone, coloratura, baritenor and basso buffo.

Female voices: • soprano, the highest female voice • mezzo-soprano, the middle female voice • contralto, the lowest female voice, called alto in chorus music

Male voices:
• treble/boy soprano, the highest male voice (unbroken, boy) • countertenor, the highest broken male voice (falsetto) • tenor, the highest broken male voice (not falsetto) • baritone, the middle male voice • bass, the lowest male voice